William Byrd at Duke

Identifieur interne : 000111 ( Main/Exploration ); précédent : 000110; suivant : 000112

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William Byrd at Duke

Auteurs : Philip Taylor

Source :

• Early Music [ 0306-1078 ] ; 2006.

RBID : ISTEX:7F75AF2FCAFF74FEAEDD1E9FFE26D67750DFDBA4

English descriptors

• Entity :
  • org : Duke University, Fondazione, Fondazione Levi, Fondazione Ugo e Olga Levi, Italy, the Iberian Peninsula, Oxford University, Palermo University, University of Zaragoza.
  • pers : Anna Tedesco, Bernardo Illari, Conference, David Crook, David Trendell, Davitt, Emilia Bassano, Henry Carey, Iain Fenlon, James Laidlaw, James McKay, Jason Gersh, Jeremy Smith, Jessie Ann, John Harley, John Milsom, Joseph Kerman, Juan Jose, Julian Grimshaw, Kerry McCarthy, Miguel Querol, My Ladye, Oliver Neighbour, Peter Bassano, Rebecca Redman, Richard Rastall, Richard Turbet, Roger Bowers, Samuel Schmitt, Timothy Day, Walter Kreysig, Walter Moser, William Byrd, William Mahrt.
  • place : America, Cambridge, Europe, Italy, Leeds, Lincoln, Rome, Spain, Venice.
• Teeft :
  • American continent, Anna tedesco, Atmosphere best, Authoritative expert, Balanced series, Basic idea, Bernardo illari, Birth date, Byrd edition, Byrd performance, Byrd research, Byrd scholarship, Cantiones sacrae, Catholic meaning, Consort song, Contrapuntal practice, Cultural recycling, Cultural significance, Cultural transfer, David crook, David trendell, Davitt moroney, Decision less urgent, Deictic strategy, Different methodological concern, Different mode, Different tack, Different way, Diverse form, Duke music department, Duke university, Early music, Early stage, Editorial method, Emblematic aspect, English song, Englishtexted music, Englishtexted output, European cultural model, Expressive quality, Fascinating polyphonic texture, Final round table, First academic event, First time, Fondazione levi website, Foremost musician, Fresh insight, Healthy condition, Henry carey, Holistic approach, Iain fenlon college, Iberian peninsula, Impressive feat, Inadequate archival evidence, Individual work, Initial plan, Innovative approach, Innovatory approach, Instrumental output, International william byrd conference, Interval characteristic, Intriguing suggestion, Introductory paper, James laidlaw college, James mckay, Jason gersh, Jeremy smith, John harley, John milsom, Joseph early music, Joseph kerman, Journal musica, Juan jose carreras, Julian grimshaw, Kerry mccarthy, Keyboard canon, Keyboard music, Keyboard piece, Ladye nevells booke, Latin sacred music, Leeds meeting, Leeds university, Lincoln cathedral, Literary grammar, Main issue, Manuscript variant, Many year, Mediterranean perspective, Mediterranean society, Melodic line, Miguel querol, Modal theory, Moot point, More detail, More general cultural aspect, More suitable label, Musical composition, Musical genre, Musical material, Musical recusant language, Musician responsible, Musicological viewpoint, Olga levi, Other figure, Oxford university press, Palazzo giustinian lolin, Palermo university, Paper oliver neighbour, Paston manuscript collection, Personal devotional nature, Poet emilia bassano, Polychoral practice, Polychoral tradition, Polychorality, Premier renaissance composer, Problematic status, Protestant piety, Rebecca redman, Recent postgraduate research, Recusant community, Region such, Report philip taylor william byrd, Richard rastall, Richard turbet, Roger bower, Safe hand, Samuel schmitt, Scholar responsible, Single paper, Song volume, Spanish culture, Spanish musical identity, Spanish theorist, Study seminar, Stylistic distinction, Successful conference, Sundrie nature, Thoughtful account, Valuable insight, Viol consort, Walter kreysig, Walter moser, Wider history, Widest possible historiographical context, William byrd, William mahrt, Worldwide diffusion, Young protestant.

Url:

• https://api.istex.fr/ark:/67375/HXZ-86KNW1KZ-R/fulltext.pdf

DOI: 10.1093/em/cal029

Affiliations:

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